Chapbooks
How I See the Humans: Essays. CutBank: University of Montana
Creative Nonfiction
“Pink Field, Blue Fog,” forthcoming in Prairie Schooner
“Wormery,” forthcoming in Seneca Review
“Postcards for the Dead,” DIAGRAM
“Red Diagonal,” Ecotone
“The Hypnotist,” The Rumpus
“The Mucking Out of Grief,” The Laurel Review
“Back to the Garden,” Terrain.org
“Cover,” Prairie Schooner
“Pops of Red,” Sycamore Review
“Pectin,” miCRo: The Cincinnati Review
“Get to Prairie,” Fourth River
“Hello, My Little Anger,” Electric Literature
“Reliquary,” Bayou
“Would I Had Some Hum,” The Journal
“Extinctions,” Brevity
“How I See The Humans,” Green Mountains Review Online
“The Moths,” The Los Angeles Review
“Camp,” Zone 3
“Zooers,” DIAGRAM
“You in the Navy, 1941,” The Rupture (formerly The Collagist)
Fiction
“Homesteading,” New Flash Fiction Review
“Fake Barn Country,” The Pinch
“Would You Like to See a Picture of Ricket-Girl?” The Laurel Review
“At Some Point She Became Separated,” PANK
Photography
Bison, Osage Nation. Orion, Spring 2022
Exhibitions
The Lighter Side, Woody Gaddis Photo Arts Gallery, Edmond, OK, Spring 2022 (Juror: Jesse Miller, professor of photographic arts at University of Central Oklahoma)
Craft Pieces
“Essay as Terrarium,” Brevity blog
Humor Pieces
“Jenny’s Alternate Numbers,” McSweeney’s Internet Tendency
